This frequently occurs after this point. In a fugue, the subject is stated by one voice and is continually introduced voice by voice, kind of like what can be heard at the beginning of this lesson. [12], Already in 1836, early in his career, it is known that Liszt had developed a reverence for Bach's great "six preludes and fugues", BWV 543548, or "The Great Six" fugues as they became known in the nineteenth century. Like most of Bach's music, it has survived only as a handwritten manuscript. In August 1844, Liszt stayed in Montpellier while performing in the region. Prelude and Fugue in A minor, BWV 895 (Bach, Johann Sebastian) We can now be certain that it was not due to Bachs final illness, which was probably late stage diabetes, although we cannot be certain. Already in 1751 it was advertised as being arranged in such a way as to be playable by two hands on a keyboard instrument, and this has led nearly all scholars to conclude it was conceived for the harpsichord. Plus, get practice tests, quizzes, and personalized coaching to help you In the fifth fugue, we hear it with some intervals filled in with rather jazzy, dotted rhythms. There is an exposition for each of the four parts, three in the manuals and one in the pedal, each lasting four and a half bars with a connecting half bar. The Baroque period was more about expressive music, though, and composers wanted to write music without being tied to text. The fugue can be broken up into sections as follows: The fugue is in 68 time, unlike the prelude, which is in 44 time. The term you are looking for might be bwv 1001 fugue analysis and will give you answers by google like: https://repository.asu.edu/attachments/110400/content/Felice_asu_0010E_12782.pdf, A Pedagogical and Performance Edition of J. S. Bachs Violin Sonata I in G minor, BWV 1001, Transcribed for Guitar: Transcription, Analysis, Performance Guide, Pedagogical Practice Guide, and Recording. The Toccata-like Prelude in A minorin the stylus phantasticusbears the hallmarks of Bach's early, north German-influenced style, while the fugue could be considered a later product of Bach's maturity.[1][2]. Various possible composers have been suggested for these little preludes and fugues, including Johann Ludwig Krebs, Johann Tobias Krebs, Wilhelm Friedemann Bach, Franz Anton Maichelbeck and Johann Caspar Simon. These were all heavily influenced by other composers of the time such as Buxtehude and Bureister. This fugue demonstrates several solutions for solving the common problems of composing a two-voice. bach little fugue in g minor analysis - stmatthewsbc.org For both of these chorale preludes from the Orgelbchlein, however, it is the systematic use of motifs that establish a particular musical mood. Liszt included it in his transcriptions of the "six great preludes and fugues" BWV 543548 for piano (S. 462), composed in 18391840 and published in 1852 by C. F. Famed for its iconic opening, Bach' s Toccata and Fugue in D minor (BWV 565) is one of the most well-known pieces of organ music ever written. What we do know is that there are almost certainly 47 bars missing and that here Bach would have combined the main theme of the entire work with the other three themes of this mighty fugue. But this is just one small example, spanning barely two measures, in a Fugue that I imagine has been studied and dissected at length. Contrapunctus 3](https://www.youtube.com/watch?v=6uH0CZ77Y7w), Source: [J.S.Bach: The Art of Fugue BWV 1080 (Fretwork) VI. Usually a composer chooses to describe or define a fugue they have composed according to the number of parts it is written for. In 1998 Harald Vogel recorded the collection on a pedal clavichord.[6][7]. A Pedagogical and Performance Edition of J. S. Bach's Violin Sonata I in G minor, BWV 1001, Transcribed for Guitar: Transcription, Analysis, Performance Guide, Pedagogical Practice Guide, and Recording. Publication date [pref. Because the answer is played on a different starting note, and is therefore in a different key, it adds contrast and expression, just what the composers wanted. It is the fourth prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. Bars 6-8: Subject in Treble, with Counter-subject in Alto [A minor]. The New Grove Dictionary of Music and Musicians, "The Bach Circle, Vol 1, Pedal Clavichord", "Welche unter J.S. Bachs Namen gefhrten Orgelwerke sind Johann Tobias bzw. Their collaboration not only involved concert tours, but a special "BachRegerMusikfest" in June 1913, organized as the fifth Heidelberg Music Festival. 98 FREE Shipping on orders over $25.00 shipped by Amazon. After Reger's death in 1916, a series of Straube's pupils in Leipzig helped maintain that tradition, despite the Orgelbewegung, the German organ reform movement that had started in the 1920s. [1][2], While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Drr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs. In the published version of Peters, Liszt chose to place the B minor prelude and fugue, BWV 544 last, altering the standard order in most of the editions for organ. Eight Short Preludes and Fugues - Wikipedia His friendship with the Schumanns and Mendelssohn and the Bach library he had assembled with them enabled Laurens to become one of the main experts on Bach organ works in France. Johann Ludwig Krebs zuzuschreiben? This Prelude is built upon the following figures (Bar 1: Theme I, Bass; Theme II, Treble), which change places with each other, at the distance of one bar, thoughout the greater part of the movement. The fugue can be broken up into sections as follows: Bars 1-30. Counter-exposition: None. In each entrance of the subject and subsequent countersubjects, the composer is challenged to find new ways to develop the melodies into something fresh. Published by . Listen at 07:09 for the four separate entrances of the subject and how Bach was able to combine the melodic lines to produce harmony. In fact the previous year Liszt had eloped to Geneva with Marie d'Agoult, with whom they eventually had three children. 1Eun-ho Kim, Form and Function in the Slow Movements of J. S. Bach's Three Sonatas for Solo Violin, BVW 1001, 1003, and 1005 (D.M.A. Although originally from a village in Lower Bavaria, in 1907 Reger also succeeded in securing a teaching position at the Leipzig conservatory. Like a car chase, the melodies wind through twists and turns, each melody following the one before it. I would definitely recommend Study.com to my colleagues. The exposition First episode Measures 12 to 19 Measures 19 to 24 Final measures Complete Fugue. Exposition: Bars 1-8. Its incomplete state creates a musical, aesthetic, philosophical and even moral quandary for the performer. 2003 Jos Rodrguez Alvira and Jos D. Sandn. Each Movement, III. During this period there were reports that Liszt resorted to stunts in front of live audiences, which prompted possibly deserved charges of charlatanry. 1600-1750. It is a highly complex fugue, with a very strict and demanding counterpoint. Although he had often hidden the BACH motif in his music (in German nomenclature it consists of the notes B flat, A, C and B) here for the first and only time he overtly introduces it as the third main theme of this massive fugue. If Toccata in D minor, BWV 913, is still fresh in your ears, for example, then you immediately hear all sorts of similarities. Prelude and Fugue in A minor, BWV 543 is a piece of organ music written by Johann Sebastian Bach[1] sometime around his years as court organist to the Duke of Saxe-Weimar (17081713). All Rights Reserved. Please help us to complete the musical heritage of Bach, by supporting us with a donation! A most powerful and inexhaustible remedy, not only for all those composers and musicians who suffer from misunderstood Wagner, but also for all those contemporaries who suffer from spinal maladies of all kinds. CopyrightTonic Chord. Bach "Little" Fugue in G minor BWV 578 in Synthesia with Simple Analysis 271,399 views Nov 9, 2012 2.5K Dislike Share Save Cerlancism 2.21K subscribers Played by The Synthesia. [2], These pieces came to be played often on the organ in the 19th and 20th centuries, and were especially useful as teaching pieces for beginners. Analyzes how the bwv 543, composed in 1708 for organ, shows everything of bach. Although less prolific than copyists like Johann Friedrich Agricola, from the many hand-copies circulated for purchase by Anon 303, including those from the Sing-Akademie zu Berlin recovered from Kyiv in 2001, commentators agree that the professional copyist must have enjoyed a close relationship with C. P. E. Bach. e.g. It is just that bit more adventurous, imaginative and tasteful than the rest. What doespardon, what shouldSebastian Bach mean for our time? Only when two bars off the end are they again brought in in their original form, to give additional unification to the piece, and to help to clench its conclusion firmly in the Tonic key. It is written in open score, that is, one stave for each polyphonic voice and, unlike almost every other work by Bach, no instrumentation is specified. In this essay, the author. Eventually, the subject does return and the music continues on, presenting subjects and countersubjects until the composer adds another episode or ends the piece. ucla environmental science graduate program; four elements to the doctrinal space superiority construct; woburn police scanner live. Fugue ANALYSIS: ENUNCIATION SECTION: Bars 1-3: Subject in Bass [A minor]. Bach - Fugue No. UExcel Introduction to Music: Study Guide & Test Prep, Introduction to Music: Certificate Program, Introduction to Humanities: Help and Review, Introduction to Humanities: Certificate Program, WEST Middle Level Humanities (Subtests 1 & 2)(052/053): Practice & Study Guide, Humanities 201: Critical Thinking & Analysis, General Social Science and Humanities Lessons, English 103: Analyzing and Interpreting Literature, Create an account to start this course today. Analysis of J.S. Bach's forty-eight fugues (Das wohltemperirte clavier Exposition The fugue is a three voice fugue. In the Royal Conservatory study of Theory - Level 9 and 10 Harmony and the ARCT level of Harmony in their textbooks they go into the Analysis of many of Bach's Fugues. An example would be Bach's cantata Wachet auf. Asking for help, clarification, or responding to other answers. Bach "Little" Fugue in G Minor BWV 578 Rowan Draper Not only do the general figures on the surface support the function, the formal activities in each movement do as well. 40 years later, Laurens' brother recalls their lunchtime conversation. 2. The semiquaver figures begin as a solo in the manual:[1][2], and then, after a lengthy demisemiquaver embellishment over a tonic pedal point, are heard again in the pedal. [1], Although Philipp Spitta has seen elements of northern traditions of the early Prelude BWV 543a/1 typical of the school of Buxtehude, Williams (2003) has pointed out that the same features are also present in the later version BWV 543/1. [10][11][12], As a child, Liszt had been instructed by his father to master the keyboard works of Bach, with daily exercises on fugues from the Well-Tempered Clavier (WTC). Bach: Fugue in G Minor, BWV 578 (Digitally Remastered) "Please retry" Amazon Music Unlimited: Price . Later still, we hear it syncopated and in triple time. Study the definition of the fugue, the parts of a fugue, how Johann Sebastian Bach became known for his fugues and examples of this musical composition. I've been working on Bach's Sonata #1 for Solo Violin (BWV 1001) and I have concluded that I would benefit from some sort of analysis of the Fugue. From here it works its way back to the original key to endwith a Perfect Cadence on the Tonic Minor, A. The fifth, sixth and seventh fugues, all featuring prominent dotted rhythms, can be felt as, by turns, skittish, pompous and melancholy, while the 12th fugue borders on the tragic. His 'Little' Fugue in G minor is a popular example. Bach - Fugue No. 10 in E Minor, BWV 855 - Analysis - YouTube This might be like a change of scenery in your race. As Beechey (1973) observes, "The more serious question concerning the opening passage of the prelude in its early and later versions is the fact that Bach changed his demisemiquavers to semiquavers [] and in doing so preserved a calmer mood and a less rhapsodic feeling in the music; this change, however, does not and cannot mean that the early version is wrong or that the composer was mistaken. There are still many recordings to be made before the whole of Bach's oeuvre is online. Its like a teacher waved a magic wand and did the work for me. University of Sydney provides funding as a member of The Conversation AU. [20][22] One of Straube's Leipzig pupils, Heinrich Fleischer, was called up for service in Germany in 1941; in Russia he was injured in an automobile accident in 1943; after three days of surgery at Rwno, he was informed that two fingers of his left hand would have to be amputated, one completely and the other partially. The Prlude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. bach little fugue in g minor analysis Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. bach little fugue in g minor analysis - fisvo.org Episodes: Five. Are there canonical sources for it? Why is this the case? The fact that the first complete performance of this work did not occur until 1922 has often been the subject of scandalised comment. Stinson (2006) gives the technical details of the different stages of transcription, which started from simple notes in Haslinger's score: these are recorded in the Goethe- und Schiller-Archive in Weimar. Some of the features Buxtehude uses are evident in Bach's early organ fugues such because the 5 part Prelude and Fugue in A minor. Toccata and Fugue, a two-part musical piece composed for the organ (generally speaking, the instrument most associated with the church), is assumed to have been created with spiritual intent (Schwarm). They can be kindred as in the Passacaglia and Fugue in C Minor and the Prelude and Fugue in A Minor from the Well-Tempered Clavier, book 2, or mysteriously remote as in E-flat Minor or F-sharp Minor from book 1. The next is the link to your question here in this SE. Most fugues have short sections called episodes, where the music is changed up a bit. Most allow the work to trail off at the point where Bachs manuscript ceases Others conclude with the chorale prelude mentioned above (a chorale prelude being a short contrapuntal elaboration of a traditional hymn tune). Counterpoint in the Baroque Period: Definition, Harmony & Examples, Decorative and Ornate Music of the Baroque Era, Counterpoint in Music: Theory & Examples | Five Species of Counterpoint. The main subject starts with a head-motif which is curtailed by descending sequential arpeggiated figures. Bars 3-5: Tonal Answer in Alto, with Counter-subject in Bass [E minor]. These Episodal bars are Nos. When Liszt moved to Berlin in 1841, the first concerts where his new piano transcriptions of the Great Six were heard were at the beginning of 1842, with the E minor fugue of BWV 548 at the Singakademie and the A minor fugue of BWV 543 in Potsdam. You all have to take the same approximate route, but if you try to drive in the same place at the same time, you'll probably get in a car wreck. To the extent that music ultimately deals with existential questions of human existence, to conclude thus is perfectly valid. This is a lot like how a fugue works. In any case, this is how it is used in the earliest source, which is a manuscript of a whole series of preludes, intonations and fugues in various keys all of more or less the same length. [2], According to David Schulenberg, the main sources for BWV 543 can be traced to the Berlin circle around Carl Philipp Emanuel Bach and Johann Kirnberger. The traditional aspects are the semiquaver arpeggiated passage work with its "latent counterpoint" which incorporates a descending chromatic bass line. Women also played an important role: Clara Schumann as a highly reputed pianist and fellow advocate of Bach; and Mendelssohn's accomplished sisters, Fanny and Rebecka, who played the fugue in piano arrangements either together or with their brother Felix. The fugue in d minor was one of the earlier fugues written by Bach during his time at Cothen. Try refreshing the page, or contact customer support. While there, he met up with his friend Jean-Joseph Bonaventure Laurens, an organist, artist and writer. Peters. Bars 5-6: Codetta, modulating from A minor to C major. Notes on Fugue for Beginners - E. J. Dent 2014-03-06 Originally published in 1958, this book presents a concise guide to the structural elements of the fugue aimed at the beginner. Like modifying a car, composers add contrast and variety to the subjects with modulation, and apply manipulation, like augmentation and retrograde, to mix things up and make their expressive statements more powerful. The entrances continue until all voices have added their own touch to the subject. Imagine you and a few friends are in a car race. 3, 6, 7, 10, 12, and 14 in the first part, and 19, 20, 23, 24, 27, and 29 in the second part. Chromatic Fantasy and Fugue, BWV 903 - jstor.org The versions of the 4-part fugue for BWV 543a and BWV 543 are identical; it lasts 151 bars. New & Used (8) from $8.98 $ 8. PDF Study Of Fugue In this video, we analyze a fugue composed by Frederic Chopin sometime in the early 1840s. Pianoforte vierhndig, Bach (J. S.)", "Ennio Morricone: 10 (little) things you may not know about the legendary film composer", BWV 543 Prelude and Fugue in A minor for organ, "Bach/Liszt: The Great Prelude & Fugue in a, BWV 543", Prelude and fugue for organ in A minor, BWV 543, https://en.wikipedia.org/w/index.php?title=Prelude_and_Fugue_in_A_minor,_BWV_543&oldid=1131630803, Carl Voigt (18081888) made an arrangement of BWV 543 for piano duet around 1834, for the publishing company of Georg Heinrich Hedler in, Franz Xaver Gleichauf (18011856), a pupil of, This page was last edited on 5 January 2023, at 01:37. It has been suggested that this piece may be the only surviving work from a series of short preludes and fugues used for teaching purposes. It's like a 'choose your own adventure' section for the composer, where he or she can use a fragment of the subject and experiment with it by using what are called manipulations. But, the listeners might get bored if the music was just made up of subjects and countersubjects. However, having stuck to the F-sharp minor version, Bach seemed to carry on making a feature of the lowered dominant, as shown by the second highlighted notes in Example 1. Analysis of J.S. This thesis provides analyses of each movement, each sonata, and the entire set of Three Sonatas, concentrating on how the set is bound closely together through formal correspondences. They immediately shared an affinity for Bach's works and, in turn, Straube became Reger's most important promoter. You don't stop driving just because they've started, and now you're onto another section of the course. the Fantasy and Fugue in A Minor and may be the case here too.) In all, the interweaving melodies of the fugue make it a complex and challenging style to compose. Maybe during a jaunt in your race, you modified your car with a new turbo boosting engine, added a back-up camera, put on bigger tires, or even installed a new pine-scented car freshener. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. This sort of fast tune ending suddenly on an unexpected note is a typically whimsical musical gesture that we see in Bachs other early works. Associate Professor in Piano, Sydney Conservatorium of Music, University of Sydney. The 19th-century Bach scholar Philipp Spitta praised the fugue, particularly its modulations. The main source was an unidentified copyist associated with Bach's pupil Johann Ludwig Krebs; the manuscript is now in the Berlin State Library. Fugue in G minor BWV 578 has been added to your Cart . The Eight Short Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach. They were based on an earlier idea from the Renaissance Period called imitative polyphony, where multiple singers would sing the same melody at different times. copyright 2003-2023 Study.com. [6] Several elements of the pieces, including the rolling of large chords, octave doublings and repeated notes, and the patterns of movement of the fingers and feet, the rhythm, and overall texture are idiomatic on the clavichord but make little sense on the organ. Lesson Summary The Bach fugue in G minor is a work of great technical and musical difficulty. Figured Bass Symbols Overview & Examples | What is Figured Bass Notation? Remarkably, however, Bach was not paid for any of the above works, and indeed barely made any profit by personally financing the publication of four of them. Bars 25-27: Subject in Bass. After bars 36, there are semiquaver motifs in the manuals answered by similar motifs in the pedals: there are bris effects similar to those found in chorale prelude BWV 599 or the Passacaglia, BWV 582/1; and pedal motifs similar to those found in the chorale prelude BWV 643. ANALYSIS: Chopin, Fugue in A minor, B.144 - YouTube Harmonic Analysis for 4 Voices vs Many More Voices. He initially was there for 13 years. In each case, new fuel and interest is added, sparking anticipation of how and when the subject will return. Think of it like modifying your car. The differences between the two versions of the prelude are discussed in Williams (2003): the earlier version is 43 bars long, while the later version is 53 bars long. Here's the playlist :)https://www.youtube.com/playlist?list=PL613D1A6B3C4BBDF2 You may recall that when multiple independent melodic lines are woven together to create harmony, it's called counterpoint. A fugue is a contrapuntal composition for a number of separate parts or voices. The other secondary source for BWV 543 came through the copyist Johann Gottfried Siebe and Kirnberger. New from : Used from : MP3 Music, February 12, 2013 "Please retry" 1 Basic Concepts Pitch Notation Octave Registers Accidentals Enharmonic Notes Practice Exercises 2 Major Scales and Key Signatures Half Steps and Whole Steps The Major Scale Major Key Signatures Practice Exercises 3 Minor Scales and Key Signatures Minor Scales Minor Key Signatures Scale Degree Names Practice Exercises 4 Basics of Rhythm Sonate pour violon n 2 en la mineur; Sonata No. Starting in A minor, it moves to the Dominant Minor, E (Bars 4-5), and touches A minor (Bar 6), the Relative Major, C (Bars 7-8), the Subtonic Major, G (Bar 9), and the Subdominant Minor, D (Bars 10-11), before returning to the Tonic (Bar 12) to endwith a Half Cadence on the Dominant Major, E. Bars 17-32:Period II. This score appears in Bach's compositions (set) Well-Tempered Clavier Book I (set) Currently Learning (set) Bach's forty-eight fugues (Das wohltemperirte clavier) by Prout, Ebenezer, 1835-1909; Prout, Louis Beethoven. With this work, his primary purpose was to demonstrate all the myriad possibilities of fugal composition. Williams also cites similarities "between the subjects outline and that of the A minor Fugue BWV 559, or between the pedal figures in both Preludes' closing stages [and] in the Preludes opening [right hand] figure, in a Corrente in Vivaldis Op. This Johann Christoph probably used the piece in his own lessons. This changing of keys is called modulation. As a concert pianist, however, Liszt was not drawn to the organ. There are still many recordings to be made before the whole of Bachs oeuvre is online. When Bar 25 is reached, we meet with both Themes again stated in their original form, but in the very next bar they are used by Inversion. Bach was a master of composing with inventive melodic and rhythmic contour. As a member, you'll also get unlimited access to over 88,000 Musical Characteristics of the Set of Three Sonatas as a Whole, and V. Summary and Conclusion. During the Renaissance, much of the music was based on words or lyrics, and each phrase of words would have its own melody. As an organist and church choirmaster, it's no surprise that most of his fugues were written for organ, harpsichord, or chorus. BWV 538 Toccata and Fugue in D minor ("Dorian") BWV 539 Prelude and Fugue in D minor; BWV 540 Toccata and Fugue in F major; BWV 541 Prelude and Fugue in G major; BWV 542 Fantasia and Fugue in G minor ("Great") "6 Great Preludes and Fugues" BWV 543 Prelude and Fugue in A minor; BWV 544 Prelude and Fugue in B minor A fugue is a musical composition that introduces a musical idea that is repeated throughout using different, blended melodies. The fugue is in three voices, and the first voice is often doubled. Can I tell police to wait and call a lawyer when served with a search warrant? More adventurous, imaginative and tasteful. So instead of text, they sometimes used a small musical idea called a subject to rev their musical engines. This is constructed in its first bar from the four last notes of the Subject, which here are assigned to the Treble, the Contralto being formed from the detached figure of the Codetta, the Bass part being complementary. 3, there is little modulation beyond what one finds in Fischer's succinct little essays, and any 'updating' of his idiom discerned in BWV 553560 binary form, post-Vivaldian patterns, post-Bach melodies, further episodes in some fugues, sometimes unclear handling of part-writing could be that of an admirer of his in 1750 or so. Manipulations let the composer stretch the fragment into long notes, shrink it into little, fast notes, play it backwards retrograde, or even turn it upside down. It was basically the same sequence of notes each time, but in a different range. Despite his injuries, he moved through US university appointments to the University of Minnesota, re-establishing his career as an organist. To be Bachian means to be authentically German, unyielding. Why is this sentence from The Great Gatsby grammatical? The Fugue ends in one of Bach's most toccata-like, virtuosic cadenzas in the harmonic minor. She holds a master's degree in Education Media and Design Technology. A fugue is a piece of music that uses interwoven melodies based on a single musical idea. . Introduction, II. E-flat Major in book 1 has been a stumbling block for many. With the fugue's freedom of composition, Baroque composers were finally able to put musical creativity in the driver's seat. Masterclass Notes and Accompaniment Tracks, Tonic Chord > Analysis > Bach Well Tempered Clavier Book 2 > Bach: Prelude and Fugue No.20 in A minor, BWV 889 Analysis, Analysis, Bach Well Tempered Clavier Book 2. His 'Little' Fugue in G minor is a popular example. "[15][18][19], In 1898, before any recognition for his music, Reger had travelled to St. Paul's Church, Frankfurt am Main to hear a recital of his works by the Berlin organist Karl Straube. All other trademarks and copyrights are the property of their respective owners. They were the second volume of The Well-Tempered Clavier, the Goldberg Variations, the Canonic Variations on Vom Himmel Hoch, The Musical Offering, the B Minor Mass and finally, The Art of Fugue. 2 No. This isn't a full answer, but you might find this: tandfonline.com/doi/full/10.1080/09298210802711660, sergeblanc.com/files/bach-sonatas-partitas-en.pdf, https://www.amazon.com/Bachs-Well-Tempered-Clavier-Depth-Interpretation/dp/9625800174/, We've added a "Necessary cookies only" option to the cookie consent popup, Chordal Analysis of Christian Petzold's Minuet in G (formerly attributed to J.S. Is it suspicious or odd to stand by the gate of a GA airport watching the planes? Now, in measures 10-11, the comes approaches to its end and the musical flow should modulate back to its original G minor so the third voice could perform the dux once again. Liz has taught music for K-12 and beyond. Prelude and fugue in A minor - Bach - Bachvereniging