louis armstrong 1930s

'I just play music. He collaborated with Ella Fitzgerald producing three records together Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). It was 1931, and Armstrong and his band were in . He had a part in the film alongside James Stewart in The Glenn Miller Story. The first jazz recording was by Louis Armstrong in 1930. riverwalkjazz.stanford.edu Less than a year and a half later, they had a daughter, Beatrice "Mama Lucy" Armstrong (19031987), who was raised by Albert. There, under the tutelage of Peter Davis, he learned how to properly play the cornet, eventually becoming the leader of the Waifs Home Brass Band. The solo that Armstrong plays during the song "Potato Head Blues" has long been considered his best solo of that series. As a child, he worked odd jobs and sang in a boys quartet. The same applies to his 1952 studio recording of the song "Chloe", where the choir in the background sings "Louie Louie", with Armstrong responding "What was that? He would help their two sons, Morris and Alex, collect "rags and bones" and deliver coal. The Louis Armstrong House Museum website states: Judging from home recorded tapes now in our Museum Collections, Louis pronounced his own name as "Lewis". Corrections? Also that year, the first commercial radio stations . [96], There is a pivotal scene in Stardust Memories (1980) in which Woody Allen is overwhelmed by a recording of Armstrong's "Stardust" and experiences a nostalgic epiphany. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. By the end of the decade, the popularity of the Hot Fives and Sevens was enough to send Armstrong back to New York, where he appeared in the popular Broadway revue, Hot Chocolates. He soon began touring and never really stopped until his death in 1971. (1969). Coleman Hawkins' 1939 recording consisted of . At her suggestion, Armstrong began to play classical music in church concerts to broaden his skills; and he began to dress more in more stylish attire to offset his girth. Because Armstrong's playing was so loud, when he played next to Oliver, Oliver could not be heard on the recording. Louis Armstrong & His Orchestra - 1929-1930 Album Reviews - AllMusic He also got into trouble. In the den of his home, he had the latest audio equipment and would sometimes rehearse and record along with his older recordings or the radio.[121]. In 1969, while recovering from heart and kidney problems at Beth Israel Hospital in New York City, Armstrong wrote Louis Armstrong + the Jewish Family in New Orleans, LA., the year of 1907, a memoir describing his time working for the Karnofsky family. It was during Hall's tenure at the venue that she experimented, developed and expanded her scat singing with Armstrong's guidance and encouragement. as the bandleader Louis where he sang the title song with actress Barbra Streisand. With his new repertoire came a new, simplified style: he created melodic paraphrases and variations as well as chord-change-based improvisations on these songs. Even in the midst of the Great Depression, money rolled in . Though many believed the 40s marked the beginning of a decline of Armstrongs playing, the recordings bear out his continued technical proficiency, spirited interpretations, and the depth and soul of his playing during these years. Presented chronologically, these 42 tracks find him fronting various big bands, and though the quality of the . He became one of the first jazz musicians to be featured on extended trumpet solos, injecting his own personality and style. La vie en rose Louis Armstrong - La Vie En Rose (1950) [Digitally Remastered] Obviously, Edith Piaf's version of this stunning French song is the standard, but several American stars had hits with it. [31] While selling coal in Storyville, he heard spasm bands, groups that played music out of household objects. His beautiful tone and gift for structuring bravura solos with brilliant high-note climaxes led to such masterworks as Thats My Home, Body and Soul, and Star Dust. One of the inventors of scat singing, he began to sing lyrics on most of his recordings, varying melodies or decorating with scat phrases in a gravel voice that was immediately identifiable. Although Armstrong claimed to be born in 1900, various documents, notably a baptismal record, indicate that 1901 was his birth year. Armstrong's manager, Joe Glaser, changed the Armstrong big band on August 13, 1947 into a six-piece traditional jazz group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and Dixieland musicians, most of whom were previously leaders of big bands. [88] His marriage to Parker ended when they separated in 1923. By that time Armstrong was playing trumpet, and his technique was superior to that of all competitors. He played for a year in New York City in Fletcher Hendersons band and on many recordings with others before returning to Chicago and playing in large orchestras. He was baptized a Catholic in the Sacred Heart of Jesus Church in New Orleans,[106] and he met Pope Pius XII and Pope Paul VI. He also started singing in his performances. [17][18], In his memoir, Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907, he described his discovery that this family was also subject to discrimination by "other white folks" who felt that they were better than Jews: "I was only seven years old but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for. Singular musical arrangements created by band members, including leader Jim Cullum and pianist John Sheridan, enhance the classical forms of jazz the Band embraces. Duke Ellington's orchestra went to Roseland to catch Armstrong's performances. He scooped the coins off the street and stuck them into his mouth to prevent bigger children from stealing them. Arrested for disturbing the peace, on New Years Eve, 1913, he was remanded to the New Orleans Colored Waifs Home for Boys. In the 1950s, he was sometimes criticized for his onstage persona and called an Uncle Tom but he silenced critics by speaking out against the governments handling of the Little Rock Nine high school integration crisis in 1957. Although he has been cited as a member of Montgomery Lodge No. [98], Also in 1959, Armstrong was hospitalized for pneumonia while on tour in Italy. Although subject to the vicissitudes of Tin Pan Alley and the gangster-ridden music business, as well as anti-black prejudice, he continued to develop his playing. Louis Armstrong - Rate Your Music Louis Armstrong was present and loved the song. On June 26, 1950, he recorded the American version of the song (English lyrics by Jerry Seelen) in New York City with Sy Oliver and his Orchestra. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. 9 Key Figures of the Harlem Renaissance - Biography [5] Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band[fr]. With his innovations, he raised the bar musically for all who came after him. Louis Armstrong Mixed-media collage Courtesy of the Louis Armstrong Archive Queens College, CUNY In 1929, he returned to New York, where he performed at Connie's Inn in Harlem and on Broadway in Connie's Hot Chocolates, and made his first nationwide hit recordings. Personnel changed over the years but this remained Armstrongs main performing vehicle for the rest of his career. The Mosaic box set The Complete Louis Armstrong Decca Sessions (1935-1946) is the first digital collection to compile every Decca master from the period (an early set on Definitive broke up the '30s and '40s into separate volumes), and it benefits from Mosaic's exacting standards (i.e., new remasters of the original metal parts or discs). Some of his solos from the 1950s, such as the hard rocking version of "St. Louis Blues" from the WC Handy album, show that the influence went in both directions.[96]. Early on he was also known as "Dipper", short for "Dippermouth", a reference to the piece Dippermouth Blues[100] and something of a riff on his unusual embouchure. Armstrong was not the first to record scat singing, but he was masterful at it and helped popularize it with the first recording on which he scatted, "Heebie Jeebies". [15], Armstrong writes about singing "Russian Lullaby" with the Karnofsky family when their baby son David was put to bed and credits the family with teaching him to sing "from the heart. By the 1950s, Armstrong was a widely beloved American icon and cultural ambassador who commanded an international fanbase. [33] Marable was proud of his musical knowledge, and he insisted that Armstrong and other musicians in his band learn sight reading. Bix Beiderbecke died and Fletcher Henderson's band broke up. Armstrong was born on August 4, 1901, into a. [79], Armstrong toured well into his 60s, even visiting part of the Communist Bloc in 1965. He was raised by his mother Mayann in a neighborhood so dangerous it was called The Battlefield. He only had a fifth-grade education, dropping out of school early to go to work. Louis Daniel Armstrong (August 4, 1901 July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops",[2] was an American trumpeter and vocalist. [96][120], Prior to Armstrong, most collective ensemble playing in jazz, along with its occasional solos, simply varied the melodies of the songs. For a time he was a member of the Lil Hardin Armstrong Band and working for his wife. Armstrong's radical re-working of Sidney Arodin and Carmichael's "Lazy River" (recorded in 1931) encapsulated his groundbreaking approach to melody and phrasing. is one of his most recognizable performances. They remained married until his death in 1971. [89] His relationship with Alpha began while he was playing at the Vendome during the 1920s and continued long after. Another tale is that because of his large mouth, he was nicknamed "satchel mouth" which was shortened to "Satchmo".[96]. Early life and career His irrepressible personality both as a performer and as a public figure was so strong that to some it sometimes overshadowed his contributions as a musician and singer. His agent Johnny Collins's erratic behavior and his own spending ways left Armstrong short of cash. [96] Armstrong once told Cab Calloway that his scat style was derived "from the Jews rockin", an Orthodox Jewish style of chanting during prayer.[123][124]. [41], Armstrong and Oliver parted amicably in 1924. Full name, Daniel Louis Armstrong; nickname, " Satchmo "; born July 4, 1900, in New Orleans, Louisiana; died July 6, 1971, in Long Island, New York; son of Willie (a turpentine worker) and Mary Ann (a domestic servant) Armstrong; married Daisy Parker (divorced, 1917); married Lilian Hardin (a jazz pianist), February 5, 1924 (divorced, 1932); mar. [2] Bookings for big bands tapered off during the 1940s due to changes in public tastes. According to Thomas Brothers, recordings, such as "Struttin' with Some Barbeque", were so superb, "planned with density and variety, bluesyness, and showiness," that the arrangements were probably showcased at the Sunset Caf. Armstrong also began to experience problems with his fingers and lips, aggravated by his unorthodox playing style. [22] Armstrong joined a quartet of boys who sang in the streets for money. On various live records he is called "Louie" on stage, such as on the 1952 "Can Anyone Explain?" During the concert, Armstrong and Teagarden performed a duet on Hoagy Carmichael's "Rockin' Chair" they then recorded for Okeh Records. With this band, the thirteen-year-old Armstrong attracted the attention of Kid Ory. He also toured Africa, Europe, and Asia under the sponsorship of the US State Department with great success, earning the nickname "Ambassador Satch" and inspiring Dave Brubeck to compose his jazz musical The Real Ambassadors. [54], In the first half of 1927, Armstrong assembled his Hot Seven group, which added drummer Al "Baby" Dodds and tuba player, Pete Briggs, while preserving most of his original Hot Five lineup. [144], In 1991, an asteroid was named 9179 Satchmo in his honor. In the second stanza he breaks into an almost fully improvised melody, which then evolves into a classic passage of Armstrong "scat singing". In the last half of 1928, he started recording with a new group: Zutty Singleton (drums), Earl Hines (piano), Jimmy Strong (clarinet), Fred Robinson (trombone), and Mancy Carr (banjo). The entrance to the airport's former terminal building houses a statue depicting Armstrong playing his cornet. Through his playing, the trumpet emerged as a solo instrument in jazz and is used widely today. "Body and Soul" is a song composed by Johnny Green with lyrics by Frank Eyton, Edward Heyman and Robert Sour.The song was used in the successful Broadway revue Three's a Crowd and became an instant hit, despite being banned from the radio for almost a year for its sexually suggestive lyrics. In 1999 Armstrong was nominated for inclusion in the American Film Institute's 100 Years 100 Stars.[141]. The song begins with a brief trumpet solo, then the main melody is introduced by sobbing horns, memorably punctuated by Armstrong's growling interjections at the end of each bar: "Yeah! 18 (Prince Hall) in New York, no such lodge ever existed. In publicity, much to his chagrin, she billed him as "The World's Greatest Trumpet Player". In 1913 he was sent to the Colored Waifs Home as ajuvenile delinquent. Louis Armstrong: 'The Man and His Music,' Part 2 : NPR In a memoir written for Robert Goffin between 1943 and 1944, Armstrong stated, "All white folks call me Louie," suggesting that he himself did not, or that no whites addressed him by one of his nicknames such as Pops. Though adamant that these claims were unjust, Armstrong was then in his 60s and primarily concerned with continuing to travel and perform. In 1995, the U.S. Post Office issued a Louis Armstrong 32-cent commemorative postage stamp. In 1922, King Oliver sent for Armstrong to join his band in Chicago. The time Louis Armstrong reigned as King of the Zulus at a segregated Mardi Gras parade, Genius Within: The Inner Life of Glenn Gould. Top 10 Amazing Facts about Louis Armstrong - Jazz Music His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. He also became second trumpet for the Tuxedo Brass Band. Biography - Louis Armstrong Home Museum Standing on the Corner (Blue Yodel No. Louis Armstrong | Encyclopedia.com The nickname was turned on Armstrong himself. He performed a duet of "When the Saints Go Marching In" with Danny Kaye during which Kaye impersonated Armstrong. Armstrong was an avid audiophile. It became impossible under such circumstances to finance a 16-piece touring band. In her small home, he had to share a bed with his mother and sister. He nonetheless made his greatest impact on the evolution of jazz itself, which at the start of his career was popularly considered to be little more than a novelty. How Louis Armstrong Revolutionized American Music - Biography won for best male pop vocal performance at the 1964 Grammy Awards. Guys who invent terms like that are walking the streets with their instruments under their arms'". His heart and kidney ailments forced him to stop touring. [29] Around the age of fifteen, he pimped for a prostitute named Nootsy, but that relationship failed after she stabbed Armstrong in the shoulder and his mother choked her nearly to death. [96] The most common tale that biographers tell is the story of Armstrong as a young boy in New Orleans dancing for pennies. The band drew the Hollywood crowd, which could still afford a lavish night life, while radio broadcasts from the club connected with younger audiences at home. Let us know if you have suggestions to improve this article (requires login). [73], In the 1960s, he toured Ghana and Nigeria. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. [40] Armstrong's mother, May Ann Albert, came to visit him in Chicago during the summer of 1923 after being told that Armstrong was "out of work, out of money, hungry, and sick"; Hardin located and decorated an apartment for her to live in while she stayed. His career spanned five decades and several eras in the history of jazz. For most of the rest of Armstrongs life, he toured the world with changing All-Stars sextets; indeed, Ambassador Satch in his later years was noted for his almost nonstop touring schedule. [96] He was heard on such radio programs as The Story of Swing (1937) and This Is Jazz (1947), and he also made television appearances, especially in the 1950s and 1960s, including appearances on The Tonight Show Starring Johnny Carson. Harlem Renaissance - Definition, Artists & Impact | HISTORY Our editors will review what youve submitted and determine whether to revise the article. 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